Death is a universal experience. We all die. There are death traditions all around the world and across all cultures. But one commonality is present. These traditions exist to help the grieving and supposedly aid the deceased in their passing. In The Wake we get a glimpse into the Irish death traditions and what might happen if these traditions are not respected.

The Wake is riddled with signs of Irish death-lore, which I became familiar with about 30 minutes ago thanks to my good friend Google. Stopping the clock when a person dies to signify the time of death, covering the mirrors so that the spirit of the dead is not trapped inside, and opening a window so that the deposed soul may be on its way are all represented in the film. Not only are these points represented, but they also become pivotal plot points that may seem unimportant or confusing to someone not familiar with these traditions.

The story itself was highly enjoyable. Rik Gordon wrote and directed a film that felt original, suspenseful, and unexpectedly educational. Peter, played by Finlay Cormack, is both likable, relatable, and believable. Who hasn’t been to their significant other’s family event only to find out they are a bunch of weirdos? I sympathize Peter…I really do. The special FX makeup was well done but not what I would call scary. My biggest question regarding the film surrounds the origin and purpose of the ritual for Uncle Eugene, played by Joseph Murphy. Answering that question would solidify the story and eliminate any audience confusion.

The Wake has strong ‘Truth or Dare’ vibes, but in this film, no one is playing games. Overall this film is a strong short film and definitely deserves its title of official Comic-Con selection. Check the film out for yourself. Just remember, if that coffin starts knockin’…you better start walkin’.