I am thankful for a world where subjects like gender presentation dysphoria can be presented on screen without hysterics or histrionics. I am thankful for a world where these subjects can be discussed at all, let alone play up on screen. It saddens me to know that films like SKIN probably won’t get the mainstream distribution they deserve, but it is my hope that in the long run, the truth will always come out – and the truth is, SKIN is the representation we need.

Rhys Fehrenbacher gives a subtle, soulful performance as Charlie. In a rare and refreshing turn, a trans actor actually portrays a queer character, adding immense depth to the story. In fact, it is hard to imagine how any filmmaker would tell a queer story without queer people on board. It’s obvious even in SKIN’s short 22 minute run time that Charlie’s story resonates with Rhys, and through his performance we are able to find where it resonates with us. Dysphoria and family dysfunction are only a piece of who Charlie is. Supported by their family, Charlie is free to take a trippy, tentative trip into gender presentation, surrounded by love that is too often missing from queer stories.

Beautiful, sweeping score by Amanda Yamate keeps us tied to the heart of SKIN. Cinematography by Brandon Somerhalder keeps things incredibly intimate – almost too close for comfort – in a way that perfectly parallels Charlie’s immense discomfort within themselves. Practical and visual effects make the real into something surreal, combining seamlessly on screen.

So often, there is a real deep tragedy to queer storylines. Heartache, abuse, loss, and trauma are all parts of the “queer narrative” as it is presented in the mainstream. It’s incredibly touching to find a film like SKIN, which tells us that while finding yourself is never easy, it can be made so much easier when surrounded by love and understanding.

8/10 stars